Need Help In Finding A New File Hoster!

Hello all. I have been using Multiupload these past few months as my file hoster. But it seems that the upload function does not work on that site anymore! I am really bummed out by this. Does anybody know of a site similar to Mulitupload? Where you can upload a file to multiple filehost sites in one sitting? If not,I may have to stop this site for a while until I find a new filehoster.

Please help me out if you know of any sites. And no,I won't stick to one single filehost site,as you usually have to pay for a subscription. And if not,you are limited to only a certain amount of GB you can upload.

Thank You All!

University Of Errors - Birkenhead 21st May 2003 (FLAC)

University Of Errors

The Iron Door,
Birkenhead
21st May 2003



1 - Intro - Hope For Happiness
2 - ?
3 - Wage Slave
4 - Money Doesn't Make It
5 - Involve Me
6 - Rich Men Eat My Voice
7 - So What
8 - ?
9 - Earthbound
10 - Stoned Innocent Frankenstein
11 - ?


Giant Squid Binaural > Sharp MDMT80
Sony MDS-JA333ES MD Player > Sonic Link SG Light Coaxial Digital Cable > Pioneer PDR-609 CD Recorder / EAC / CDWav

Part 1-
http://www.megaupload.com/?d=Z3B59IIQ
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Hawkwind 1973-08-29 Windsor Festival (FLAC)

Hawkwind
Windsor Festival
29 August 1973

01 Standing on the Edge / Warriors
02 It's So Easy
03 Ode to a Time Flower
04 Jam
05 Warrior on the Edge of Time
06 Brainstorm
07 Orgone Accumulator / Seeing It As You Really Are
08 Sonic Attack
09 Time We Left
10 Paranoia
11 Awakening
12 The Watcher //

Dave Brock
Nik Turner
Lemmy
Del Dettmar
Simon King
Robert Calvert
Michael Moorcock

Aud > ? > CDr(x) > EAC(secure, log included) > EAC (new track split, cue included) > FLAC(6)

One of the best-sounding Hawkwind recordings from 1973 (which isn't saying much!). It's also notable for the "festival" atmosphere, with recitations from Michael Moorcock & Robert Calvert, and a great 14-minute instrumental jam. The only sad thing is that it's clearly incomplete, since it cuts off in the middle of The Watcher (and they would have certainly played Master of the Universe next, perhaps after another poem).

Unfortunately, the transfer is somewhat flawed, with some odd (infrequent) level changes and some clipping (although not severely), but is still very listenable. There are a few short gaps at the start/end of some tracks (perhaps the taper turned the recorder off), but little music seems to be missing. Orgone Accumulator is clearly spliced in from an inferior source, but the (relatively) high sound quality is maintained for the remaining tracks. Most of the track indices were way off, so it was extracted as a single wav, then split with a new cue sheet.

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The Kinks-Boston (March 5, 1972) (FLAC)

the Kinks

Ray Davies: acoustic guitar, lead vocals
Dave Davies: lead and slide guitar, backing vocals
John Gosling: keyboards
Mike Cotton: trumpet
John Beecham: trombone, tuba
John Dalton: bass
Mick Avory: drums
Orpheum Theater

Boston, Mass. U.S.A.
March 5, 1972
touring "Muswell Hillbillies"

unknown low gen. audience recording
runtime: 73:59
setlist:

1: top of the pops 4:02
2: you're lookin' fine 6:07
3: get back in line 3:43
4: Muswell Hillbilly (with band introductions) 3:22
5: Waterloo sunset 2:24
6: sunny afternoon 4:01
7: banana boat song 1:12
8: brainwashed 2:42
9: Mr. Wonderful :49
10: acute schitzophrenia paranoia blues 4:10
11: holiday 3:54
12: skin and bone (end cuts, spliced) 3:56
13: alcohol 6:49
14: complicated life (end spliced) 4:12
15: Harry rag 1:14
16: you are my sunshine 2:25
17: she's bought a hat like Princess Marina 3:28
18: baby face 3:12
19: Lola 6:07
20: you really got me > 2:24
21: all day and all night 1:31
22: Victoria (end cuts) 2:08
lineage:
trade cassette >
played on Nak. 300 into soundforge (wav >
flac (sb's aligned)

another relic from the collection of statsfax
although it's not from the master tape
he likes the Kinks a LOT. and who can blame thim for that?
several of these same songs can be heard from 2 concerts
in New York City on disc 2 of "everybody's in show biz" album,
recorded just days before this show, on March 2 and 3, 1972.

Part 1-
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http://www.fileserve.com/file/uf4EUAR/TK3572.part1.rar

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LINDA LEWIS, PRINCIPAL EDWARDS & CURTISS MALDOON (1972-02-12) (FLAC)

LINDA LEWIS
PRINCIPAL EDWARDS MAGIC THEATRE
CURTISS MALDOON
1972-02-12
"Pop Carnival"
Grugahalle
Essen, West Germany


Also appearing: BEGGAR'S OPERA, PRETTY THINGS, DEEP PURPLE, OSIBISA and 2 or 3 other bands.


INCOMPLETE UNCIRCULATED AUDIENCE MASTER RECORDINGS*

Recorded on: Grundig Portable Cassette Recorder w/Condenser Microphone

ANALOG MASTER CASSETTE(BASF Type I)>CDR>EAC>WAV>TLH>FLAC

Recorded By;"durian1"

Transferred & Uploaded by: "Lucifer Burns"


Setlist*

1. ? "Linda Lewis"
2. ? "Linda Lewis"
3. ? "Linda Lewis"
4. Tune Up- "Principal Edwards"
5. Introduction/ ? "Principal Edwards"
6. ? "Principal Edwards"
7. Introduction/ ? "Curtiss Maldoon"
8. ? "Curtiss Maldoon"
9. ? "Curtiss Maldoon"

*Please help identify any songs if you can.


Musicians;

LINDA LEWIS (born Linda Ann Fredericks, 27 September 1950, West Ham, London)is an English vocalist, songwriter and Guitarist.
Linda Lewis has a five octave vocal range.
She is best known for her cross-over music, also the singles "Rock-a-Doodle-Doo" (1972) and "Sideway Shuffle" (1973).
Also albums such as Lark (1972), Not a Little Girl Anymore (1975), Woman Overboard (1977).
Lewis also provided vocals for others such as DAVID BOWIE, AL KOOPER, CAT STEVENS, RICK WAKEMAN, ROD STEWART.
Lewis is a self-taught guitarist and keyboard player, influenced by HARRY NILSSON, BILLIE HOLIDAY and SMOKEY ROBINSON.
Her music blends folk, funk and soul.~ wikipedi



PRINCIPAL EDWARDS MAGIC THEATRE was a 14-member communal performance art collective in the United Kingdom made up of musicians, poets, dancers, and sound and lighting technicians.
The collective was originally formed at the University of Exeter in the late 1960s, and then was later based at farmhouse in Kettering, Northamptonshire.
The group was signed to John Peel's Dandelion Records and their single, "The Ballad of a Big Girl Now", was released in 1969.
Following the single was the release (under the same label) of two albums - Soundtrack and The Asmoto Running Band - the second of which was produced by Nick Mason of Pink Floyd.
The sometimes whimsical, sometimes epic (verging on progressive rock) writing style of guitarist ROOT CARTWRIGHT, was paired with the eclectic lyrical contributions of DAVID JONES, GILLIAN HADLEY and MONICA NETTLES, and was performed by vocalist VIVIENNE McAULIFFE.
The violin and recorders of BINDY BOURQUIN were another key element of the group's trademark sound. LYN EDWARDS, originally on bongos, took over on the drumkit.
Later, with a smaller nucleus (including new bassist RICHARD JONES from CLIMAX BLUES BAND) and a name-change to, simply, PRINCIPAL EDWARDS, they recorded a few new singles and a third album called Round One for Deram Records.
Most of the Deram recordings were also produced by NICK MASON.~ wikipedi



CURTISS MALDOON(DAVE CURTISS & CLIVE MALDOON)is a singer-songwriter duo from England.
They first began working together in the band BODAST in 1968 which also featured STEVE HOWE on guitar and BOBBY WOODMAN CLARKE on drums.
They recorded one album produced by KEITH WEST who was in U.K. psych band TOMORROW.
But it remained unreleased until it came out in truncated and remixed form in 1982 as 'The Lost Bodast Tapes'.
A full re-issue featuring the original 1969 mixes came out under the title 'Spectral Nether Street' on the RPM label in the 1990s.
Although not very active on the live circuit as they preferred to spend their time writing and rehearsing.
BODAST played a legendary show called the Pop Prom in 1968 where they were on the bill with THE WHO and acted as CHUCK BERRY's back-up band for the night.
CURTISS MALDOON were on Purple Records, the label started by DEEP PURPLE.
Their connection to DEEP PURPLE came out of DAVE CURTISS short-lived involvement with an early incarnation of the band known as ROUNDABOUT.
CURTISS was the vocalist and BOBBY WOODMAN CLARKE was the drummer.
No recordings have come to light of this line-up.~ wikipedi




*"Now the sets DO get imcomplete.
I only had 5 cassettes with me and I REALLY wanted to be sure to get as much of Osibisa as possible.
So for these three bands I started to conserve tape. NONE of these sets are complete.
In hindsight I might as well have taped their sets in their entirety as Osibisa never came on when they were supposed to and we left before they ever hit the stage :-(
It should be noted that I have never listened to this tape of these three bands barring a few seconds here and there to check that they all recorded properly.
So right now I am going on memories that are 40 years old.

At the time I was completely unfamiliar with LINDA LEWIS.
This would change over the next year or two when she seemed to be the opening act of every third band I went to see live it seemed.
And at the time (this is when she was still doing what she does here and not the more commercial stuff she did later) it would always be here and her guitar.
Playing what to my ears sounded like the exact same set each time.
So Linda Lewis... my mother and her girlfriend liked her. I did not.
I only taped a small portion of her set (she played for about 30 to 40 minutes total (all three of these bands played for similar lengths.
There was some reason why Osibisa's set kept getting delayed so these acts appeared to be coming on one after the other for whatever that reason was.
The upside was: the shortest breaks between bands of the entire evening!).
The audience seemed to like her well enough.
Put a black man or woman with an acoustic guitar in front of a 70's German audience and they will morew likely than not treat them with respect.
No whistling choirs or slow hand clapping.
It's one of them wacky German traits I noticed at concerts over the years ;-).
The only thing I remember about her was her huge afro.
Which even from the back part of the hall where we were looked huge.
It put the whole '80's concepts of "big hair" to shame.

PRINCIPAL EDWARDS MAGIC THEATRE... I had heard them on a sampler or three and liked what I had heard somewhat.
I may or may not had heard their first album at this point (It would have been within weeks either way of this show that I heard it).
I was kind of looking forward to seeing them as once again: in a few reviews I had read in NME and Melody Maker they sounded like a live band with potential to be a good live band.
For me the main problem was that the P.A. - It was just really hard to aurally and visually figure out what was going on.
At least from where we were sitting.
There was some "theatrical" stuff going on (coulda been dwarves dancing around the mini Stonehenge in the Spinal Tap movie for all I know - THIS particular set is what that scene has always reminded me of btw).
As three bands had to fit on one side of a C-90 to leave that second side for Osibisa (damn them!) you only get a taste.

CURTISS MALDOON... I knew nothing at all about them barring that they were one of the bands on Deep Purple's Purple Records label (which is probably why they were on this bill) and that therefore I was inclined to pay attention to them.
They were not bad at all.
Of the three bands here who's sets I had to cut to conserve tape this is the one band I wish I would have brought an extra cassette for, so as to not have had to cut their set.
Sure they were kind of similar to most hippie songwriter bands of the era but they were pretty good and stood a little bit above the rest.
Or maybe their hippie hats were a little higher than the rest, making them appear taller. Who knows?

And after Curtiss Maldoon we waited another 15 or so minutes to see if Osibisa would finally take the stage and then it was decided what with the icy roads (and an almost 1 hour drive back to Wuppertal over small and mostly unlit country roads and small towns in optimal weather conditions).
we walked back to the car at around 2am on a bitter cold Sunday morning."~ durian1


ENJOY THE MUSIC!


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Gong-Manchester (15 April, 2000) (FLAC)

Gong

University,
Manchester
15th April 2000

Foolefare
Zeroid
Radio Gnome Invisible
Yoni On Mars
Bodilingus
Zero The Hero & The Witches Spell
I Am Your Pussy
Magdalene
Infinitea
The Mad Monk
Tali's Song
You Can't Kill Me
Flute Slad
Oily Way
Outer Temple - Inner Temple
Goddess Invocation
Master Builder
Tropical Fish
The Invisible Temple
Selene

Audio Technica Mono Mic > Sharp MD-722
Sharp MD-722 > Soundforge > CD Wave

Part 1-
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Comicoperando-Amsterdam (2011-05-19) (FLAC)

Comicoperando plays the music of Robert Wyatt - BIMhuis, Amsterdam, NL - 2011-05-19

Personnel:
Dagmar Krause - vocals
Annie Whitehead - trombone, vocals
Karen Mantler - hammond, harmonica,vocals
Michel Delville - guitar, vocals
John Edwards - bass, vocals
Chris Cutler - drums

Setlist:
01. September the Ninth (Wyatt/Benge)
02. Little Red Robin Hood (Wyatt)
03. Gloria Gloom (MacCormick/Wyatt)
04. Life Is Sheep (Mantler)
05. Little Red Riding Hood (Wyatt)
06. Memories (Hopper/Wyatt)
07. The United States of Amnesia (Wyatt)
08. Team Spirit (Wyatt/Manzanera)
09. Alliance (Wyatt)
10. The British Road (Wyatt)
11. Just As You Are (Wyatt)
12. Beware (Mantler)
13. Alifib (Wyatt)
14. Out of the Blue (Wyatt)
15. Sea Song (Wyatt)
16. Soup Song (Hopper/Wyatt)

This concert was also recorded by the VPRO and will be broadcasted at June 16 and/or 23, 2011, probably at Radio 6 (http://radio6.nl/).

Lineage:
Zoom Handy H2's internal rear mics (120 degree angle mode) > USB > HDD > Audacity > WAV > TLH > FLAC

Recorded and upped by YoungPumpkin

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Renaissance-Montreux-June 1970 (FLAC)

Renaissance .... June 1970
Jazz Festival; Montreux, Switzerland

Keith Relf - harmonica, vocals
Jane Relf - vocals
John Hawken - keyboards
Jim McCarty - drums, vocals
Louis Cennamo - bass


Taper, Remastered, & Transferred: pgl (THX!!!)
Taping Gear: ??Unknown??
Lineage: "SBD" Original Swiss TV broadcast> Tandberg reel to reel> 25 years reel> eurorack MX 802A professional equalizer> philips standalone burner CDR560> cdr audio> EAC> wav> flac 2005 Download burned to audio disc (Nero) Trade CDR> (wav) EAC (secure mode)> (flac) Trader's Little Helper level 6 (align on sector boundaries)
Quality: vg+/ex-
Length: 3 tracks = 21:13 minutes
Artwork: included.
Samples: none.


Set List:

01 - (cuts in) Kings And Queens
02 - Island
03 - Bullet (cut)

http://www.megaupload.com/?d=I86S7ZFH
http://www.uploadking.com/ZVCLHU0QB5
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http://depositfiles.com/files/w544hdew3

Frank Zappa-Volman Tapes-1970-71 (FLAC)

Mark Volman Field Recordings

from Jon's website:

1970-1971, "Mark Volman Field Recordings"
38 min,
Much of this appears on "Playground Psychotics", in most cases differently edited.
The time differences are in comparison with the PP versions, except where noted.
"You There With The Hard On" (+0:33)
Here Comes The Gear, Lads (+1:01)
The Living Garbage Truck (+0:10)
A Typical Soundcheck (+0:20)
"This Is Neat" (+0:08)
The Motel Lobby
Getting Stewed
The Motel Room (+0:06)
"Don't Take Me Down"
The Dressing Room (-0:18)
Learning "Penis Dimension" (-1:09)
jam
The M.O.I Anti-Smut Loyalty Oath (YCDTOSA #6, +0:16)
"There's No Lust In Jazz" (+3:24)
FZ talking to band member about last night
Playground Psychotics (+0:28)
band talk about FZ
rehearsing 200 Motels dialogue
He's Watching Us (+3:05)
FZ talking to band member about 200 Motels


*What's missing in the list here is an excellent (possible rehearsal) version of Easy Meat.

BL - blackpage 9/26/05

tape (possible 2nd gen)->Sound Blaster Live->sound forge->cdwave->flac (SBE, level 8)

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Jethro Tull-BBC Studios 1968-69 (FLAC)

Jethro Tull
1968-69
BBC Studios
London,England
BBC Sessions w/radio announcer

01. So much trouble
02. (announcer)
03. A song for jeffrey
04. (announcer)
05. My sunday feeling
06. Dharma for one
07. (announcer)
08. Beggar's farm
09. (announcer)
10. love story
11. stormy monday
12. (announcer)
13. living in the past
14. (announcer)
15. A new day yesterday
16. (announcer)
17. Fat man
18. Bouree
19. (announcer)
20. Nothing is easy

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Henry Cow 1978-07-23 Cervia Ravenna (FLAC)

Henry Cow
=========
Cervia (Italy), Festa di Unita Proletaria, Ravenna
1978-07-23

AUD tape recorded by Giorgio Di Paolo (of band Asuma Rimna) who kindly gave permission

to share his recording and who said...
"my memories are vague, a very low-tech cassette recorder was used; I probably

connected the line out of a tape deck to some PC sound card".

Extracted to .wav by Maclen who sent me the .wav files, thanks to both of you !!
TLH says "tracks look like CDDA with probability 100%"

wav > edit (Nero 8) > TLH (flac + SBE / Decode check)

Editing:
Used better sounding left channel from this mono recording
Reduced volume by -4dB
Bass EQ +5dB
Inserted track05 from hte SBD source
Gap fixed in track06 (20.37-21.45 using SBD source)
Corrected ~ 200 volume variations
Fixed many nasty glitches in the Soundcheck
Edited and re-tracked for smooth track transitions
Added flac tags using fastone artwork, any change to the files will delete these.

Quality: Worth a historic A+
===========================

I was kindly sent this AUD source from the Cervia show, which is apparently new

compared to the high-gen SBD that has appeared many times here
on Dime, including a remaster of mine) and was surpised and delighted to hear a very

different and more dynamic mix. This is similar to the
Trondheim 1976 show, where the SBD mix sounds very dry compared to the FM version

(later found to be mp3 that was here a long time ago) on which
on-stage tapes being played by the band were very prominent and were completely missing

from the SBD.

So IMHO. this is a much better involving listen, whilst it also contains 2 more tracks

(03 & 12) and extra material on other tracks (00 and 06),
plus the continuous audience and announcements in between. To check the quality (and

tagging) I just listened on my Linn digital streamer and it
sound wonderful, so I hope you'll agree that it is really worth grabbing.

TomP post on Dime, Aug 2011

Fred Frith: guitar, bass, Viola, Vibes
Tim Hodgkinson: keyboards, treated guitar, alto and baritone sax, clarinet
Lindsay Cooper: bassoon, oboe, soprano, recorder
Anne-Marie Roelofs : trombone, violin, toys
Chris Cutler : drums, percussion, noises


00 - Soundcheck + Stage Intro (7.18)
01 - Viva Pa Ubu (2.18) - OFFICIAL FILE REMOVED (HC Box vol.9 track 11 - edited to be

still continuous without this)
02 - Viva Pa Ubu (cont'd) + The Big Tune (9.57)
03 - The March (4.08)
04 - Half The Sky Intro + Falling Away 1 (07:28)
05 - Woodwind intro + Falling Away 2 (05:50)
06 - Improvisation (30.13)
07 - Slice (1,24)
08 - Look Back (2.09)
09 - Industry (10.46)
10 - Waking Against Sleep (2.33)
11 - Ruins Variations-Free-Virgin Of Illinois (15.42)
Encore
12 - Scotland the Brave + Half The Sky (8.58)

Thanks to urich21 for set list information and further updates

Nice artworks by fastone are included, thanks !!

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Shortwave 1994-10-08 (FLAC)

Shortwave

(Gong's 25th Birthday Party)

The Forum
Kentish Town, London
8th October 1994

1-Shuffle Demons
2-2 P.M.
3-The Balladin
4-The Fox
5-[introductions]
6-Nan True's Hole

Didier Malherbe - tenor sax, alto sax, soprano sax, flute (formerly of Gong)
Phil Miller - guitar, guitar synthesizer (also of In Cahoots)
Hugh Hopper - bass (formerly of Soft Machine)
Pip Pyle - drums (also of Gong and In Cahoots)

Audio Technica Mic > Aiwa Cass
Tape (1st Gen) > TEAC V-1050 > Edirol R-1 > wavelab > Cd Wave

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Amon Duul II - Anthology 1975 (FLAC)

Amon Duul II - Anthology 1975

Contains two concerts:

18. January 1975 - TV performance, Jugendzentrum Dillingen, Germany

Setlist:
01.Archy the robot
02.Lonely woman
03.Phonzeit jam
04. Surrounded by the stars
05. Traveller
06. La Krautoma

Audio was taken from the VHS proshot that was here seeded recently. Unknown lineage.


11. July 1975 - Live concert in Munich

Setlist:
01. Wir wollen
02. Wilhelm Wilhelm
03. Dreams
04. Liebeslied
05. Top of the mud
06. Mirror
07. Mr. Kraut´s jinx
08. Loosey girls
09. La Krautoma
10. Ludwig



Liner-notes:
1975 was the turning-year of Krautrock. Neu! split afer the release of their fabulous punk-orientated "Neu! 75" album.
Can released "Landed" in 1975 and "Flow Motion" in 1976 and presented are more lighter mainstream sound. Their hit "I want more"
peaked No. 26 in the UK charts: A sensation for a german band! Groups like Can or especially Tangerine Dream, had proved that they
could adapt to the different circumstances in music industry during the late seventies.
For a unique band like Amon Duul II, the pressure for international success was always on the hand. Despite the fact that they had
a great fan community in England, France and in other european countries, record producers like Jürgen S. Korduletsch trying
to define the direction of the band, both musically and aesthetically. Sure there was often a fight between the musicians and their producers.
Unfortuneatly the band itself consists of strong individuals, so the line-up was always changing. Of course, in the end, there was no strenght
to fight the producers ideas. On the other hand, Amon Duul II wanted to have this international success all the years ´round.
They started in Munich 1968, as a hippie community, recorded the first real Krautrock album "Phallus Dei", which lay the basis for all
to come german rockbands. In England for example their name hab become legendary, grounding a myth that last until today. In their
homeland the band was overlooked and underrated. For the early seventies there was no real german music industry for rockbands,
so Amon Duul II suffered because the lack of money prevented any plan going forward.
It was a logical consequence that they needed a new producer. Thie first result was the brilliant 1974 album "Hijack".
For this record the classic line-up had come into the studio, consisting of Chris Karrer (voc, guitar, violin), John Weinzierl (guitars),
Peter Leopold (drums), Renate Knaup (vocals), Lothar meid (bass) and Falk. U. Rogner (synthesizers). The result was a fresh and strong record,
fascinating and rich, the press reaction was aso filled with enthusiasm. It´s rather strange that this record nowadays had become
a stepchild by the band itself and also by the general musicpress. Maybe sometimes it gonna change again
In the beginning of the year 1975, the band had the chance to play in a german TV show, called Phonzeit and was held in a youth center
of the german town Dillingen. It was the last moment the classical line-up was playing together. The original video broadcast wasn´t available for years. There was a bad audio tape in circulation which
is now replaced by the better (despite the mono) audio-version of the video. Amon Duul II appearance here is extraordinary!
Most of the tunes are from the Hijack-Album, played in a relaxed and straight manner. One highlight is the spooky "Lonely woman" with Chris Karrer
as the leadsinger, playing a fine sax solo. "Surrounded by the stars" shines because of the violin-bass-guitar-synths collaboration. The sound of this TV gig in
general is really unique. Maybe the band released the complete Audio Tape official. "Surrounded by the stars" was interrupted
by the discussion of the audience with the band backstage. In th background you can hear the music roll on. It´s a shame that there
is no complete tape of the music in existance. In the end Amon Duul II playing an old german tune called "La Paloma", which is
linked to the next studio album "Made in Germany".
After the Phonzeit gig, the Music Express wrote about the new Duul project: "AD II goes to Broadway. For the next time 15 – 16 persons will be on stage, actors and
dancers. There are plans for serveral gigs in America, playing one month in Los Angeles at the Roxy Theatre and after in New York at the Beacon Theatre (Broadway) to promote their rockshow.
This teutonic shock is all about the history of Germany, which will also be the topic of their next Lp under the title SM II". Before the recording sessions started, Lothar Meid
leaved the band. For him two other Munich musicians were added. Robby Heibl (bass) who also played on 1973 album "Vive la Trance" and Nando Tischer (voc, guitar).
Before the official release of the double album "Made in Germany", Amon Duul II was going on a little promotion tour in June/July 1975 through France and played also some concerts in Germany.
During this tour the line-up changed again after some disagreements of the band members: The planned US-Tour was cancelled because of the failed organisation,
also the original album-concept had fallen to pieces. Many compositions weren´t used for this album. Another reason for the break was that the original plan, releasing a double album in the United States also
failed because of the sloppy management. The US-release (a single LP) was also separately mixed by Korduletsch in absence of the band itself.
Compared to the double album, the single LP contains some alternative mixes and longer versions of some songs.
Back to line-up change: Renate Knaup and Falk U. Rogner left the band. The remaining quintett was catched on tape during their Munich concert on 11. July 1975.
This rare tape documents the idea how the "Made inGermany" songs should have sounded live. Nando Tischer appeared here as the lead-singer, trying to calm down the unfriendly audience.
At one moment the bulk is screaming for "Renate", and Tischer had to explain that Renate is on vacation int he soputh, after an love affair with a boy. seems to be the last showdown after many internal argues.
Despite the bad sound of the tape, one highlight of this show is the long and atmospheric "Loosey girls". Also "La Krautoma" is a great rocker.
The official release of "Made in Germany" was in the fall of 1975:

The album is one of the first rock-operas in Germany about german history. Songs about Ludwig II and the Kaiser Wilhelm II,
an interview with Mr. Hitler: The whole album is a real masterpiece. Great powerful music with strange, experimental ideas. The band proved their ability to have a great variety of musical styles.

At this point the band itself don´t existed anymore, however the group reunited in 1976 again to play more relaxed music under the old name. And of course sometimes the old genius shines through. But that´s another story.
what´s left are documents of a uniqueband, that had the courage and the power in creating undefining music, that is still influental and touching today.

For this project the available music was remixed and mastered carefully.

All the best, Quinn (2011)

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Arthur Brown & Kingdom Come-Weeley Festival (August 29, 1971)

ARTHUR BROWN AND KINGDOM COME
WEELEY FESTIVAL,
CLACTON ON SEA,ESSEX,ENGLAND
AUGUST 29,1971

1-Spoken Word Poem
2-Time Captives
3-STAGE ANNOUNCEMENTS

AUD UNKNOWN LINEAGE >
CASSETTE > M-AUDIO TRANSIT >
COOL EDIT > CD WAVE EDITOR >
TRADERS LITTLE HELPER > FLAC

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Iron Butterfly - Galaxy Club 1967 (FLAC)

IRON BUTTERFLY
Galaxy Club, Los Angeles, CA
1967

Lineage: traded CDR > Steinberg > Carbon-Hi-Space CDR > Flac > you

"A fantastic recording, hard and very, very psychedelic, sometimes strange."


This is an interesting tape. The original info said it's an audience tape, but I'd swear it is a soundboard. The stereo separation seems to great to not be a soundboard. How else could you have the drums in one channel and everything else in the other channel with only a little bleed through. It is a tad muffled, but otherwise the sound quality is great.

If all you know of Iron Butterfly is "In-A-Gadda-Da-Vida", this 1967 show may be a shock. Recorded before their 1968 debut album, "Heavy", only four of these songs would be recorded in the studio. To once again quote the original info file that came with this recording, "very psychedelic, sometimes strange".

Lineup:
Doug Ingle (vocals, organ)
Ron Bushy (drums)
Jerry Penrod (bass)
Danny Weis (guitar)
Darryl DeLoach (tambourine)

1. Real Fright
2. Possession *
3. Filled With Fear
4. Fields Of Sun *
5. It's Up To You
6. Gloomy Day To Remember
7. Time To Ignore Evil Temptation
8. Have You Heard?
9. General As It May Seem *
10. Lonely Boy
11. Iron Butterfly Theme *
12. You Can't Win

* Included on the debut album

Soundquality: A/A-
Time: 53:53
Medium: CDR
Covers: on board (PNG Lossless)

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Kevin Ayers (1992-2 Pack) (FLAC)

Kevin Ayers (1992-2 Pack)


Kevin Ayers
Greater London Radio GLR
30 April 1992

with:
Ollie Halsall: g

(probably Ollie Halsall's last session ever!)


1 Interview with Kevin Ayers
2 I Don't Depend On You (Studio Session)
3 Interview (introducing "Feeling This Way" from the CD, which is removed!)
4 Interview
5 May I (Studio Sesion)
(9:15)

cassette from trades/1st generation from master
---> wav (with Terratec phono pre amp studio)
---> flac
quality A--

___________________________________________

KEVIN AYERS + KEVIN ARMSTRONG
OSAKA
CLUB QUATTRO
2 JUNE 1992

1 Feeling This Way
2 When Your Parents Go To Sleep
3 Super Salesman
4 Shouting In A Bucket Blues
5 Everybody's Sometime And Some People's All The Time Blues
6 Something In Between
7 I Don't Depend On You
8 Lady Rachel
9 Intrducing M16
10 M16
11 Ghost Train
12 There Goes Johnny
13 May I?
14 Why Are We Sleeping
15 Thank You Very Much
16 encore calls
17 Blaming It All On Love
18 encore calls
19 Two Goes Into Four
20 End applause

cassette from trades/unknown generation
---> wav (with Terratec phono pre amp studio)
---> flac
quality B++

Don't sell! Don't encode to mp3!!!

nadir_53

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Alice Cooper - St. Louis 12-17-71 (FLAC)

Alice Cooper
St. Louis Arena
December 17, 1971

Lineage: Soundboard > CD-R > EAC > FLAC

Good Soundboard recording (somewhat dry) from 1971 in support
of the "Killer" album.

Artwork Included

Track Listing:

01. Intro / Be My Lover
02. You Drive Me Nervous
03. Yeah, Yeah, Yeah
04. Eighteen
05. Halo of Flies
06. Is It My Body / My Very Own
07. Dead Babies
08. Killer
09. Long Way To Go (cut)

Band Members:
Michael Bruce - Guitar
Glen Buxton - Guitar
Alice Cooper - Vocals
Dennis Dunaway - Bass
Neal Smith - Drums

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Pink Floyd-1967-09-10 (Stockholm) (FLAC)

PINK FLOYD

stockholm
gyllene circelen
10.september.1967
(replay on may 7th, 2011)

SOURCE: sonic studio dsm 6 (w/ pre-amp & bass roll off) > tascam tascam dr-07 (44khz/24bit)
TRANSFER: adobe audition 3.0 > > flac level 8
LOCATION: next to the soundboard, approx. 6 meters off the speakers, center
TOTAL: 43:02

01
02 mathilda mother
03 pow r toc h
04 scream thy last scream
05 set the controls for the heart of the sun
06 see emily play
07 interstellar overdrive

NOTES:
- there's a 44 khz /24 bit version up on yeeshkul
- some general information about how this "replay" came to be http://www.guardian.co.uk/music/2010/dec/08/stockholm-pink-floyd-bootleg
- more detailed info here: http://www.sydbarrettpinkfloyd.com/2010/12/pink-floyd-copenhagen-1967-recording.html
- lotsa pros and cons about what to do with this recording: http://www.yeeshkul.com/forum/showthread.php?t=22578
- very nice pix here: http://www.flickr.com/photos/12599973@N05/sets/72157626559863163/
- 1st and biggest thank you to mr. lind who originally and perfectly recorded the show
- thanx to peooohh for getting me tix, a place to stay, swedish beer etc etc
- thank to creamcheese for "treating" (only very, very little normalising and editing was done with extreme caution)
- "last time i took drugs, i tried to eat an airport"

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Frank Zappa-1970-08-21-Santa Monica (FLAC)

FRANK ZAPPA AND THE MOTHERS
CIVIC CENTER
SANTA MONICA, CALIFORNIA
AUGUST 21, 1970

A First Generation Tape Restoration and Transfer
Some distortion in the loudest sections
Classic TMoQ mono audience recording


RECORDED FROM ORCHESTRA SECTION D, ROW 2, SEAT 17
(the tickets were in the box, sorry there were no scanners back then)

SOURCE:
Sennheiser 805 shotgun microphone > Uher 4000 1/2 Track 1/4" x 5" R2R @ 7 1/2 ips > REVOX B77 w/ Dolby > SONY DTC 690 @ 16/32
TRANSFER AND RESTORATION BY MIKE MARTIN:
SONY DTC-690 > AUDIGY 4 (via Toslink) > AUDACITY (conversion to 16/44.1 and extensive editing) >
CD Wav > Flac (Level 8)



DISC 1-
1. Introduction
2. Agon >
3. Call Any Vegetable
4. A Pound For A Brown On The Bus >
5. Sharlena (tape flip)
6. The Air >
7. Dog Breath (in the Year of the Plague) >
8. Mother People >
9. You Didn't Try to Call Me >
10.King Kong > (tape flip)
[42:35]

DISC 2-
1. Frank discusses the concept of 200 Motels
2. Road Ladies
3. Introduction >
4. What Will This Morning Bring Me This Evening >
5. Go to the Club or the Bar (exact title unknown)
6. What Kind Of Girl Do You Think We Are? >
7. Bwana Dik Deluxe >
8. Latex Solar Beef >
9. Daddy Daddy Daddy > (repaired volume dip in middle of song)
10.Do You Like My New Car? > (tape flip)
11.Happy Together >
12.What Will This Evening Bring Me This Morning?
13.Would You Go All The Way
14.Rudy Wants to Buy Yez a Drink (featuring Mark Volman on guitar)
encore:
15.tune up and chat
16.Wino Man >
17.Concentration Moon >
18.Mom and Dad (tape flip)
[48:55]


Frank Zappa-guitar & vocals
Hoawrd Kaylan-vocals
Mark Volman-vocals & guitar
Ian Underwood-sax, keyboards & clarinet
Don Preston-Mini-Moog
Jim Pons-bass
Aynsley Dunbar-drums



This is another Trade Mark of Quality (TMOQ) classic early 70's recording.
I originally copied the master reels from a Tandberg to my Revox B77 in 1986.
From the Revox copy I transferred to a DAT in the 1990's and the first generation reels were tossed out.
A bad move but the tape had so many dropouts it seemed worthless and I never though that I would have the only first generation copy around.
Didn't even think it was worthy of recording at the SP speed and recorded it at LP so the sample rate is only 32 KHz and the high-end rolls off after 16KHz.
The first task was to review and fix the original splices of the tape flips, which occur about every 22 minutes (5'' tape at 7 1/2 ips).
The bigger technical challenge was cleaning up the dropouts from the master tapes, my reel copy and the DAT copy.
A lot of time was spent removing and smoothing out the hundreds (more likely over a thousand) of the micro-gaps and volume fluctuations found on this tape.
The worst sections were during the first few minutes of each disc (beginning of each master tape reel) and again from Concentration Moon to the end (the third reel).
I originally made this without any sound filters and the bass was so heavy it was hard to listen to.
An equalization of -7dB below 400 Hz was applied to remove the muddy booming (and it is still a bit bass heavy).
Next the louder passages are distorted so to reduce the harshness the max volume was reduced using a light compression.
The overall amplitude was then raised by 4dB.
These changes improved the spectral balance but increased the background hiss levels.
So finally a light (15%) inverting noise filter was applied to reduce this hiss a little.
Care was taken not to apply this to the low frequencies thus avoiding that metallic sound.



Tracks cut with CD Wave
Flac conversion (Level 8) with fingerprints and checksums performed with Traders Little Helper

As a note.
This copy comes from the actual masters (3 - 5" reel to reel tapes) and is the complete concert (minus tape flip loss).
Relegated to the dark corners of my collection due to the dropout issue this recording is now worthy to be shared.
Still not perfect but it is much easier to listen to than my DAT tape.
Hope you all enjoy this restoration of a precious historical document.
Mike Martin
5/2010
Flying M Productions

RECORDED BY FANS AND SHARED WITH FANS
TRADE FREE AND NEVER SELL
SUPPORT THE ARTIST'S FAMILY AND BUY THE COMMERCIAL PRODUCTS
(IF YOU DON'T HAVE THEM ALREADY)

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Captain Beefheart-Whiskey A Go Go 1980-12-20 (LATE SHOW) (FLAC)

CAPTAIN BEEFHEART and THE MAGIC BAND

1980-12-20 LATE SHOW

WHISKEY-A-GO-GO, Los Angeles, CA.

01. Apes Ma
02. Hair Pie Bake III ( Bass/Sax )
03. Don on Tape
04. Hair Pie Bake III ( Bass/Sax )
05. Nowaday's A Woman's Gotta Hit A Man
06. Hot Head
07. Ashtray Heart
08. Dirty Blue Gene
09. Best Batch Yet
10. Safe As Milk
11. A Carrot Is As Close As A Rabbit Gets To A Diamond
12. Don and Crowd
13. One Red Rose That I Mean
14. tuning
15. Doctor Dark
16. Bat Chain Puller
17. Sheriff Of Hong Kong
18. tuning - Crowd - Don
19. Suction Prints

total time approx. 67:27

The Band . . . .
Captain Beefheart Don Van Vliet vocals, tenor saxophone, soprano saxophone, chinese gongs
Eric Drew Feldman bass guitar, synthesizer, mandolin, mellotron, electric piano
Robert Williams drums, percussion
Richard Snyder guitar, slide guitar, bass guitar
Jeff Moris Tepper guitar, slide-guitar


2nd Gen Aud.
Maxell XLII-S Tape > Onkyo Deck > TDK DA-3826 > CD-R > PC > .wav > Audacity 1.3
( for speed correction ) > .wav > Traders Little Helper Flac level 8 > dimeadozen

transfer - mcchocchoc / jbk

This is the Late Show from the second night ( two nights in a row, two shows each night ). The recording is a bit "hot", but the sound is still pretty excellent. I had not listened to this tape for many years because my copy ran very, very fast. I am happy to share this speed corrected version, as this is a great show. The band is raging and Don is also really "on" here. The vocals are awesome. Don is intense in his delivery, getting more into it as the show progresses. The vocal fade out at the end of 'Doctor Dark' here is incredible. The room is silent and Don really kills it ! Following that amazing, fading finish quickly Don starts 'Bat Chain Puller' with a roar. Very cool. The band intros follow Bat Chain Puller.

After 'Sheriff Of Hong Kong' Don wishes everybody a Merry Christmas and even shouts a
"Ho Ho Ho Ho Ho" ! This is another show in which Don is very chatty and quite funny.

Interesting start here, Eric plays the Hair Pie Bass solo all the way through and then he starts it up again as Don joins in on Sax. They finish that and eventually Don plays a tape recording of himself through the mic. After that they play Hair Pie again ( bass and sax only ) !

Last year the Late Show from the first night was shared out here. Let's hope the Early shows do the same.

Aside from the occasional out of tune guitar, this is one of the better performances by the 80/81 band ! A very enjoyable listen. Have fun.

Much thanks to the taper and all of my old trading friends.

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